Widener professor Beatriz Urraca of
Wallingford presents her new book at Libros del Balcón, a bookstore in Buenos
Aires, Argentina.
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Widener
Professor Beatriz Urraca of Wallingford Edits New Book on Argentine Cinema
Chester,
Pa.- Dr. Beatriz
Urraca, associate professor of modern languages and incoming director of the
Program in Gender and Women’s Studies at Widener University, has co-edited the
book “Directory of World Cinema: Argentina” with Philadelphia-based freelance
film critic Gary M. Kramer. The book, published by Intellect in the United
Kingdom and distributed by The University of Chicago Press, will be released in
June. It explores approximately 90 Argentine films including Oscar winners,
contemporary blockbusters, experimental documentaries and early films about the
tango and gauchos. Argentina has one of the most complex, diverse and
successful film industries in Latin America.
“Many
colleagues and friends have asked me over the years to recommend films for
their courses or for fun,” Urraca said. “We put together this book as an answer
to those requests.”
“Directory
of World Cinema: Argentina” is a collection of essays and reviews by scholars,
critics, filmmakers and film buffs from around the world. It provides a
critical analysis of Argentine movies and allows readers to learn about the
country’s film industry, as well as its history and culture. Readers may get
inspired to visit Argentina; Urraca especially recommends going in April to
attend the Buenos Aires International Festival of Independent Cinema (BAFICI)
and experience the country’s vibrant film culture. She also encourages
venturing outside of the capital city to see the glaciers in Patagonia and the
wineries at the foot of the Andes Mountains in Mendoza.
Urraca, a
native of Spain and a resident of Wallingford, Pa., has been working on
Argentine literature since completing her dissertation and receiving her
doctorate in comparative literature at the University of Michigan, Ann Arbor.
She started studying film in 2004 and has taught classes about Spanish and
Latin American cinema in addition to ones on literature and language. She
specializes in recent film fiction from the New Argentine Cinema, which started
in the late ’90s, to present-day films, with a focus on the representation of
gender and how films depict social problems such as poverty and
marginalization.
Urraca has
also worked on civic engagement projects with students in several Latin
American countries. In Argentina, she directed a service-learning program
working with a church in an impoverished community outside Buenos Aires where
priests are committed to fighting poverty. A similar phenomenon has been
depicted in films like White Elephant and Slum, which are
featured in her book and are also the subject of a forthcoming journal article
for “Revista de Estudios Hispánicos.” Urraca’s service experiences have given
her a well-rounded perspective of Argentina as she has lived not only in its
luxurious neighborhoods, but also in its poverty-stricken areas. “It’s helped
me understand the country a lot better, and I think that translates into my
work,” she said.
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